Showing posts with label Preetisheel Singh. Show all posts
Showing posts with label Preetisheel Singh. Show all posts

Monday, 2 March 2020

भंसाली के साथ प्रीतशील की तिकड़ी



मेकअप आर्टिस्ट और डिज़ाइनर प्रीतिशील सिंह ने अपनी तरह की तिकड़ी जमाने जा रही है। वह फिल्म निर्देशक संजय लीला भंसाली की लगातार तीसरी फिल्म के लिए बतौर मेकअप आर्टिस्ट और डिज़ाइनर काम करने जा रही है। संजय लीला भंसाली की फिल्म बाजीराव-मस्तानी के लिए प्रीतिशील ने पहली बार मेकअप डिपार्टमेंट की कमान सम्हाली थी। इसके बाद भंसाली की फिल्म पद्मावत की मेकअप डिजाइनिंग भी प्रीतिशील ने की। अब वह उनकी तीसरी फिल्म गंगुबाई कठियावाड़ी की भी मेकअप डिज़ाइनर की भूमिका निभा रही है। पंजाबी फिल्म नानक शाह फ़कीर के लिए, क्लोवर वूटों  के साथ राष्ट्रीय फिल्म पुरस्कार जीतने वाली प्रीतिशील सिंह ने हैदर, मॉम, १०२- नॉट आउट, ठाकरे, शिवाय, हवाईजादा, हाउसफुल ३, रंगून, ब्रदर्स, पार्च्ड, रोमियो अकबर वाल्टर, पति पत्नी और वह, मुल्क, छिछोरे, मलाल, अन्धाधुन, पंगा और हाउसफुल ४ जैसी फिल्मों के मेकअप डिपार्टमेंट का काम देखा है। उनके द्वारा डिजाईन की गई विग काफी चर्चित हुई है। उनके द्वारा फिल्मों के किरदारों के लिए बनाई गई विग, किरदार के अनुरूप भिन्न होती है। इस वजह से दर्शकों को परदे पर किरदारों में खासियत महसूस होती है। दक्षिण की तमिल फिल्मों के युवा सुपरस्टार विजय जोसफ की फिल्म विसिल का मेकअप डिपार्टमेंट सम्हालने वाली प्रीतिशील, विजय की दूसरी फिल्म मास्टर का मेकअप डिपार्टमेंट भी सम्हाल रही है। संभव है कि प्रीतिशील, विजय के साथ भी ऎसी ही दूसरी तिकड़ी जमा ले!

Monday, 15 October 2018

Ayushmann Khurrana wore special lens for blind look in AndhaDhun



After a hattrick this year with Padmaavat, 102 Not Out and Mulk, National Award-winning makeup and prosthetic designer Preetisheel Singh is once again on a high with the success of AndhaDhun. Here's an interesting tête-à-tête with the lady.

What was so special about AndhaDhun compared to the other films you have handled makeup and prosthetics for?

This movie did not require heavy prosthetics like many of the other movies that I have done, but giving Ayushmann (Khurrana) a blind look required a special kind of lens. The lenses were custom-made for the character to make it seem realistic. These are not the ordinary lenses that you get in the market, these are 'Scleral lenses' that cover the entire visible part of your eyes. The only downside to these are that they blur your vision, but Ayushmann was really co-operative and did an amazing job considering he actually couldn’t see much. 

Is it easier or more difficult to design characters where the character does not have a prototype; like caste, creed or historical relevance? 
I wouldn't say difficult, but it is more time consuming, as they don't have pre-set look-traits that I can use to build up a character. It’s the little background details like where they grew up, what is their religious background, what are their habits, what do they like or dislike -- small things like this help maneuver and create a character design. 

Did the fact that you have worked with Ayushmann Khurrana earlier make your job easier? 
Ayushmann is a fantastic actor to work with. The fact that I’ve worked with him in the past has helped build a rapport with him that makes the environment more comfortable to work in, for both him and me. He is a very positive and fun person to work with. There were a lot of constraints on him due to the lenses, but he still worked brilliantly with them and made it all seem so easy. 

Sriram Raghavan is considered to be quite a meticulous director. Was he very demanding with the looks? 
Working with Sriram Sir was like a dream come true, because I grew up watching his movies like Ek Hasina Thi and Johnny Gaddar. And working on a thriller was on my check list which is finally ticked off. He had a very clear vision in his head as to what he wanted and when I presented him with the designs, we both were on the same page. So that made both the discussion and the execution very smooth. 

How was it working on the other characters in the movie? 
It was really interesting creating the different characters because every character has a significance in the movie. Going through the script, I could slowly visualize what the characters would look like based on the role they had. And there was a lovely lineup of actors cast for the movie that fit the characters perfectly making my job a lot easier, as it’s easy to conceptualize something when you have a face in mind. And having worked with many of them on previous projects, it was a smooth sailing in terms of execution. 


Were you expecting such rave reviews for a movie with such an unusual storyline?

Guess the tradition created with Sriram Sir’s movies lives on. He always comes up with brilliant stuff and it shows on screen.

Runaway successes put more pressure on everyone. How do you deal with that? 
The pressure sometimes becomes very overwhelming when the expectation levels continue to shoot up. The best thing to do is keep creating with a steady and calm mind with regular de-stressing breaks.

Which was the most difficult character to work on for AndhaDhun? 
Ayushmann’s character was a little tricky, especially working with the lenses. I wanted to design something that would justify the character and give it a very realistic look, so that took a little time. And every character was important in their own aspect so due diligence was given to each character. 

How are you going to celebrate the success of AndhaDhun? Do you take breaks after each success? 
I would love to take a break, but sadly my work is not permitting of that. I am currently working on a couple of other projects and they're keeping me busy. Maybe a nice little dinner with my team to celebrate the success of AndhaDhun is something that I see happening soon.


आकांक्षा पुरी ने की 'विघ्नहर्ता गणेश' की ४८ घंटे तक शूटिंग - पढ़ने के लिए क्लिक करें 

Monday, 20 August 2018

Preetisheel Singh hits a hattrick with Mulk

This year has been a great one for National Award-winning make-up, hair and prosthetic designer Preetisheel Singh. She started the year with the blockbuster success of Sanjay Leela Bhansali's Padmaavat, where she created the looks for Ranveer Singh, Shahid Kapoor and Deepika Padukone. The film received rave reviews, and the media went ga-ga especially over Ranveer's look of the evil ruler Alauddin Khilji.  

And just as the dust had settled over this controversial epic drama, came the touching and endearing looks of Amitabh Bachchan and Rishi Kapoor, which Preetisheel curated for Umesh Shukla's runaway hit 102 Not Out. 

But it was this month that the makeover wiz had her hattrick clincher with Anubhav Sinha's Mulk; a gripping take on Muslim patriotism in a Hindu-majority India. The film has not only made an indelible mark at the box-office, but has managed to effectively send out a fabulous and strong message of equality and brotherhood.

"This year has truly been a rollercoaster ride for me. Not only am I proud of having designed memorable looks for such lovely films, but am elated that our filmmakers are finally giving a lot of credence to make-up and prosthetic work in Bollywood," beams Preetisheel, adding, "This is just the beginning." 

True that! Its undoubtedly a great time for the profession! And the talented lady's career is going ahead full steam with new projects too. Preetisheel's repertoire includes movies such as Housefull 3, Mom, the Tamil film 24, Brothers, Rangoon, Parched, Shivaay, Talwar, House Next Door, Haider, Ghayal Once Again, Finding Fanny, Hawaizaada as well as the pre-Mughal historical epic Nanak Shah Fakir, for which she won the 'National Film Award for Best Makeup'. 


Coming up next are more innovative looks she is designing for films like the Nawazuddin Siddiqui-starrer Thackeray, Atharvaa-starrer Boomerang, Ayushmann Khurrana-starrer Andhadhun and John Abraham-starrer Romeo Akbar Walter (RAW), in which the actor is reported to sport 18 different looks.


अमायरा दस्तूर ने खरीदी सपनों की कार - पढ़ने के लिए क्लिक करें 

Wednesday, 7 March 2018

पद्मावत के बाद, प्रीतिशील सिंह 102 नॉट आउट

फिल्म नानक शाह  फ़कीर के लिए बेस्ट मेकअप का राष्ट्रीय पुरस्कार विजेता मेकअप आर्टिस्ट, केश सज्जाकार और प्रोस्थेटिक डिजाइनर प्रीतिशील सिंह ने संजय लीला भंसाली की फिल्म पद्मावत में दीपिका पादुकोण, शाहिद कपूर और रणवीर सिंह के मेकअप के लिए आलोचकों की प्रशंसा बटोरी है । पद्मावत के बाद, वह अमिताभ बच्चन- ऋषि कपूर की फिल्म १०२ नॉट आउट के लिए इन दोनों दिग्गज अभिनेताओं के मेकअप में व्यस्त हो गई। निर्देशक उमेश शुक्ल इस फिल्म के साथ ही प्रीतिशील अपने कार्यक्षेत्र में नंबर वन पर आ गई है । फिल्म १०२- नॉट आउट के टीज़र में अमिताभ बच्चन और ऋषि कपूर के पिता और पुत्र के किरदार काफी हलचल पैदा कर रहे हैं और दर्शकों में फिल्म के प्रति बहुत ज्यादा उत्सुकता पैदा हो गई  है। प्रीतिशील कहती हैं, “अपनी इतनी उम्र और इंडस्ट्री में कद के बावजूद वह बहुत धैर्य से काम लेते हैं। वह लम्बे समय तक बैठ कर इतना सारा मेकअप करवाते हैं और फिर बाहर जा कर कैमरा के सामने अभिनय करते हैं। मनोरंजन के कारोबार में, इतने सालों के बाद भी उनमे बच्चे जैसा उत्साह और कला के प्रति इतना समर्पण विस्मयकारी है। उनकी ऊर्जा और तीव्रता प्रभावित करने वाली और प्रेरक है। उनसे बराबरी करने वाला इस समय कोई युवा अभिनेता भी नहीं है।" प्रीतिशील के आगामी प्रोजेक्ट्स में विक्रमादित्य मोटवाने की भावेश जोशी, सनी देओल के बेटे करण की फिल्म पल पल दिल के पास, ऋषि कपूर की फिल्म मुल्क और नवाज़ुद्डिंग सिद्दीकी की ठाकरे के नाम उल्लेखनीय हैं। 

यशराज फिल्म्स की फिल्म में रणबीर कपूर - पढ़ने के लिए क्लिक करें